Little Warsaw Autumn - Piotr Tabakiernik GŁOSY (VOICES / VOTES), perf. by HASHTAG ENSEMBLE

2018-09-22 / 12:00
Saturday, 22nd September, 12 p.m.
The concert is a part of 61. Warsaw Autumn Internationa Festival of Contemporary Music
Free admission
 
HASHTAG ENSEMBLE 
Lilianna Krych conductor  
Paulina Gawrońska, Aneta Todorczuk-Perchuć, Michał Głowacki, Łukasz Kraśnicki, Robert Kibalski, Bartosz Mazur actors  
Jakub Niedźwiedź sound projection 
Students of the 1st year of the Academy of Fine Arts in Warsaw – Departament of Stage Design under the direction of Dr Agnieszka Korytkowska: Natalia Dobrzańska, Joanna Dulla, Weronika Filipek, Zuzanna Kowalczyk, Barbara Mastalerz, Barbara Niestrawska, Karolina Ołownia, Dominika Soćko, Sandra Stępień, Jakub Szostek, Ada Ślęzak, Julia Ślusarczyk, Feliksa Żurawska stage design 
 
Piotr Tabakiernik GŁOSY (VOICES / VOTES)** (performance / park game, Warsaw Autumn and Society of Authors ZAiKS commission) 
 
** first performance
 
Piotr Tabakiernik
Born in 1986, he graduated from the Fryderyk Chopin University of Music in Warsaw. His interests include microtonality, cognitive sciences, extended tools and techniques of expression, the performative aspect of musical works, rituals, and theatre in the broadest sense (he has been associated professionally with the stage for about a dozen years). Apart from his exploration of compositional technique and musical aesthetics, he likes to write and improvise in historical styles and frequently dialogues with the past in his works. He also pursues his linguistic passions, using his free time to invent new conlangs (constructed languages), which he sometimes uses in his music. 
 
He is progressively focusing his interest on compositions as situations: people, sounds, words, objects, and circumstances, their mutual interrelations in the process of becoming, studied under the subjective lens of the composer. From a rite of passage in toutur thrœu (written for cellist Andrzej Bauer and orkest de ereprijs), through monachomachiawith its simulated dispute and musical battle, to Symphonic Piece for a philharmonic (premiered during the final concert of last year’s Warsaw Autumn), in which the conventions of a philharmonic concert are dismantled. This year, he invites us to play the elector in his new composition, VOICES/VOTES.
 
Selected works: sumpiqo for string quartet, percussion and 8-channel sound projection (2013), šeg for cello and accordion (2014), απ̓ óπτωσις (apoptōsis) for vocal sextet (2015), WAM-iationen for accordion (2015), toutur thrœu (hearing ritual) for cello and ensemble (2016), monachomachia, music theatre (2017), Symphonic Piece for philharmonic (2017), VOICES/VOTES, performance / park game (2018). 

 


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