Meeting by the sculpture pt. 1
On 14 January (Thursday) we invite for a meeting at which Anka Ptaszkowska will speak about the work by Henryk Stażewski. It is one of few opportunities to see paintings by Stażewski from Ptaszkowska’s private collection, currently deposited in Warsaw’s Museum of Modern Art.
At the beginning of the 1930s Henryk Stażewski made various furniture projects in gouache. Painted in primary colours and consisting of shelves of different sizes, tables, étagères and bookstands were made in compliance with the rules of neoplasticism, postulated by Piet Mondrian. In the second Announcement of the ‘a.r’ group from1932, Stażewski stipulated that furniture be treated as “an element of architecture”, which in turn ought to comply with surroundings discreetly influencing users’ wellbeing. He also indicated the necessity of an ergonomic projecting, one that combines “the rhythm of movements, dimensions and colours” with a man’s size.
Anka Ptaszkowska – neither an art historian, nor art critic. In the 1950s and 1960s she belonged to “Grupa Zamek” from Lublin. She created Foksal gallery in Warsaw with Mariusz Tchorek and Wiesław Borowski. She collaborated with Henryk Stażewski, Maria Ewa Łunkiewicz Rogoyska, Tadeusz Kantor, Edward Krasiński, Krzysztof Niemczyk. She defended their art in any available Polish press of the time. She was Edward Krasiński’s wife. In 1970 she left Foksal Gallery and went to Paris with Eustachy Kossakowski. With Michel Claura, Francois Guinochet and Daniel Buren as an advisor, she managed a gallery in Paris that successively changed its address at any manifestation. She worked with Daniel Buren, Dan Graham, Andre Cadere, Carl Andre and other artists of international conceptual and minimal avant-garde. In 1983-2003 she taught the history of modern art at the Ecole Supérieure d'Arts et Médias in Caen. She published articles on art in ArtPress monthly and Tygodnik Powszechny. In 1983 with Pontus Hulten she organized an exchange of Polish and American students. In its aftermath, Łódź’s Museum of Art received an invaluable collection of American modern art as a gift. In 2007 Ha!Art publishing house published her two-volume book “Żywot Krzysztofa Niemczyka na użytek młodych pokoleń” (The Life of Krzysztof Niemczyk so it can be used by future generations) and Niemczyk’s novel “Kurtyzana i Pisklęta albo krzywe zwierciadło namiętnego działania, lub analiza chaosu” (A Courtesan and Chicks; or a distorting mirror of passionate work, or an analysis of chaos). In 2010 she published a book “Wierzę w wolność, ale nie nazywam się Beethoven” (I believe in freedom yet my name isn’t Beethoven) in “słowo/obraz terytoria”. Currently she holds private evenings of reflections on art in Eustachy Kossakowski’s former studio in Paris.
Meeting by the sculpture is a series of mini-lectures in the exhibition space, organized on Thursday evenings. Prominent specialists (curators, art historians and theoreticians) will discuss the works in the collection of the Królikarnia’s Sculpture Museum. They have exceptional knowledge of works and authors on display.
The meeting is a part of a programme accompanying the exhibition “Zbigniew Libera: It’s not my fault that this sculpture rubbed againts me”.